In addition, StoryMill’s full-screen mode helps those of us with electronic ADD focus on getting ideas on the page by hiding the game icons and Web shortcuts that are far too tempting to click when the words aren’t coming.ĭuring my evaluation, I found StoryMill 3.1 to be both stable and speedy. StoryMill’s Progress Meter lets me set a per-session word count goal, and shows me how much longer I need to slug it out at the keyboard before I can slug it out at the corner bar Bukowski-style. For me, writing is like exercise it feels good when I finish, but I can never finish soon enough. If it’s bells and whistles that put a smile on your face, StoryMill 3.1 won’t disappoint. Why is this important? To take advantage of some of StoryMill’s more powerful nonlinear features, you really need to divide your novel into its constituent chunks. On import, the program does an admirable job at recognizing chapter breaks, as demonstrated by a quick import of Charles Dickens’s Great Expectations. rtf and Microsoft Word (.doc) documents, a capability whose absence may have turned people off to previous versions of the software. If your plots tend toward the tangled, you’ll love the timeline feature, which enables you to manipulate your story lines in chronological order, regardless of the order in which the narrative is revealed to the reader.Īnother long-awaited feature is the ability to import. Novelists have always enjoyed playing with time, bouncing back and forth from past to present, story line A to story line Z. The most exciting addition to StoryMill 3.1 is the Timeline tool.
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